There's nothing fundamentally wrong with director Maggie Mancinelli Cahill's treatment of the audience grabbing musical, "Man of La Mancha," at Capital Repertory Theatre but, at the same time, there's nothing particularly enlightening or compelling about this production either. It moves along steadfastly and fluidly, but without seizing the musical's opportunities; flirting with ideas on occasion, for example, a few of the prisoners take up musical instruments only to let go of them much too soon. A man of the theater, Cervantes pleads his case by having the prisoners act out his book, "Don Quixote," with Cervantes (an oddly disassociated Kevin McGuire) taking the lead and his manservant playing Sancho. McGuire is no stranger to this role. He's done it before, far more effectively, at The Theatre Company at Hubbard Hall, which he founded in 1999 but has recently left to run a theater company in Columbus, Ohio. His normally full rich voice was restrained, a bit off pitch and tightly ranged on the night I saw him. His approach overall is brisk, businesslike and, for the most part, colorless. where two very skilled actors Douglas Ryan and Christine Decker and a bunch of playwrights who go by the names of Chekov, Beckett and Pinter are caught in what amounts to little more than amateur night at the theater in an evening of one act plays under the collective title "Thrills, Spills and Lonelyhearts." Well, at least they've got the "Spills" part right. Ryan gets to show off his admirable verbal and physical comedic skills in Chekov's "The Proposal" but he's surrounded on one side by the stiff and awkward Erik Barnum as a neighboring landowner and, on the other, by a shrill, comedically ungainly Katherine Stevenson as the landowner's attractive and very eligible daughter. Decker manages to rise above the occasion in Mary Ann Greanier's patience testing "Conversation Hearts," in which Decker shares the stage with a massive bowl of candy hearts. Her dialogue consists almost entirely of the messages on the candies which she lays on a table, one by one as she spells out the name "Ben" and the phrase "I'm going to tell you the truth about something." In Harold Pinter's "Night," Decker is ill served by her tall, gangly, droning acting partner, Robert Forgett, in an otherwise haunting piece about the ways in which we remember landmark moments in our lives. What little structure this evening sustains falls apart completely in the finale, "The Wedding," an amalgam of movement and cacophony that mistakes anarchy for organized chaos. No wonder Katherine Stevenson's bride wanders around the stage looking sullen, disconsolate and despairing. 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Wool was the most commonly used material because of the abundance of sheep, which was a main staple of the Greek economy. Flax was used to make fine linen, but only the wealthy and certain priests and priestesses in the temples used this. Leather was used to make armor for the soldiers and shoes. Colors for the average Greek in ancient Greece reflected status. The majority of the Greek population at this time wore rough homespun wool garments, which were often brown or beige in color. However, wall frescoes, such as the wall paintings from the archaeological site Akrotiri, Thera, that are now at the National Archaeological Museum in Greece, have revealed that the ancient Greeks also loved colors. Since production of dyed materials was time consuming and cost prohibitive, it is believed that only the wealthy and those affiliated with the religious institutions of the time could afford this enhancement. Wall frescoes show that the Greeks had the ability to produce colors such as pink, yellow, blue and brown. In addition, fabrics were bleached white reflecting purity or great wealth. An ancient Greek wearing white indicated that the person had enough slaves that he did not have to dirty himself with labor. The coarseness of the fabric also indicated status. Fine linen was manufactured using a process that called for the gathering of flax, removing all the seeds and then soaking the plant until the stalks could be beaten in order to get various degrees of fiber. This fiber was sorted out and only the finest was used to create linen. The majority of men in Greece wore a knee length tunic made of wool or linen; it was often belted. A view of Greek frescoes and statues will often show men dressed in this style. It almost looks something like a large belted T shirt. Over this, the men often wore a blanket type cloak for travel or war. During times of war, the men would add leather breastplates and helmets to the basic tunic. Men would sleep on the ground using their blanket cloak for warmth. The wealthier men often wore helmets and breastplates made out of metal for better protection. Traditionally in most of ancient Greece, babies and children under the age of 2 were tightly wrapped with wool or linen strips. This was believed to ensure straight and strong adult limbs. After the age of 2, children would wear only a diaper. As children became older they would wear tunics until the girls reached puberty and were ready to marry and the boys attained the age of 7 when they would go to school or learn a trade. Once girls reached puberty and boys reached 7 years, they would begin to wear adult clothing as befitting their economic status. The majority of ancient Greeks walked barefoot. Shoes were often only worn by soldiers and the wealthy. However, certain city states such as Sparta often required their soldiers to be barefoot. When the ancient Greeks did wear footwear, it was often a sandal or boot. Both types of footwear were made from leather primarily, but the wealthy also had shoes made of wood, felt and other cloths. The leather was often kept natural, but the wealthy could afford more ornamentation and often had sandals and boots dyed or gilded in gold. The style of sandals and boots were similar in design at the base of the foot; however, sandals often ended at the ankle, while the boot had a higher and wider heel piece which was tied around the calf to the knee. This was worn by soldiers to protect their lower legs. The ancient Greeks were a very fashion conscious people and created styles and trends that were unique to each city state. Gold, jewels and other precious metals were use as ornamentation to enhance their appearance. Archaeological sites have revealed beautiful and elaborate earrings, necklaces and buckles for sandals and belts. Greek Costumes That Kids Can Make Kids love making Greek costumes as a part of a study on Greek mythology or for a serious theater production. These costumes. Costumes Used in Old Greek Theatre Until the 19th and 20th centuries, actors wore day wear, or normal clothes, onstage rather than costumes created or found specifically for their. The History of Roman Clothing The complexity of the folds and layers of fabric carved in Roman statues has long fascinated museum visitors. The drapery, while elegant,. The History of Belly Dance Costumes Belly dancing is a beautiful art form that has a rich cultural history. Although many different countries claim that they invented the. The History of Track Shoes The athletic sandal was worn by Greek athletes in the early Olympics. The athletes wearing these sandals were criticized until they started. 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